Manipuri dance | |
---|---|
Stylistic origins | Manipuri and Vedic |
Cultural origins | Early 15th century Manipur |
Typical instruments | Pung, Pena, Kartal and Manzilla, Mangkang, Sembong, Baashi, Harmonium |
Mainstream popularity | Much in Manipur and in India |
Subgenres | |
Pung ch |
Maharaja Gambhir Singh (r. 1825 – 1834 CE) composed two parengs of the tandava type, the Goshtha Bhangi Pareng and the Goshtha Vrindaban Pareng. Maharaja Chandra Kirti Singh (r. 1849 – 1886 CE), a gifted drummer, composed at least 64 Pung choloms (drum dances) and two parengs of the Lasya type, the Vrindaban Bhangi Pareng and Khrumba Bhangi Pareng. The composition of the Nitya Ras is also attributed to him.[2]
Modern Times
This genre of dance became better known outside the region through the efforts of Rabindranath Tagore. In 1919, he was so impressed after seeing a dance composition, the Goshtha Lila in Sylhet (in present day Bangladesh) that he invited Guru Budhimantra Singh to Shantiniketan. In 1926, Guru Naba Kumar joined the faculty to teach the Ras Lila. Other celebrated Gurus, Senarik Singh Rajkumar, Nileshwar Mukherji and Atomba Singh were also invited to teach there and assisted Tagore with the choreography of several of his dance-dramas.Other Indian Classical Dances
The Sangeet Natak Akademi currently confers classical status on seven other Indian dance forms:- Bharatanatyam - Indian Classical Dance
- Odissi - Orrisa Classical dance
- Kuchipudi - Telugu Classical dance
- Mohiniaattam - Kerala Classical Dance
- Sattriya - Asamese Classical Dance
- Kathakali - Malayalam Classical Dance
- Kathak - North Indian Classical Dance
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